2025 Armageddon” is a 2022 American science-fiction monster film directed by Michael Su and produced by The Asylum, known for its low-budget, high-concept films.
Synopsis
The film presents an interesting take on a story in which aliens have intercepted the communication of signals related to The Asylum’s monster movies and have taken it to be absolutely real life on earth. Thank These aliens declare an invasion on a planet they interpret as earth armed with 3D printed weapons of the movie which include huge sharks, piranhas and robots. The plot revolves around the narrative of two sisters who have fallen haven’t seen one another in a while Madolyn who is a commander in the U.S. Navy and Quinn a scientist at NASA who have come back together to deal with the threats the aliens bring forth as uncover their game plan.
Cast & Crew
- Director: Michael Su
- Cast:
- Michael Paré as Thomas Ramsey
- Jhey Castles as Lieutenant Commander Madolyn Webb
- Lindsey Marie Wilson as Dr. Quinn Ramsey
- Joseph Michael Harris as Corporal McKee
- Sarah Lieving as Gretchen Willis
- Paul Logan as Officer Greg Stern
- Anthony Jensen as Adam Forster
- Phillip Andre Botello as Aaron Farmer
- Jolene Andersen as Lucy Taggart
- Gerald Webb as Jerry Ford
- David Thomas Newman as Private First Class Sharp
IMDb Ratings
As of now, “2025 Armageddon” holds an IMDb rating of 3.1/10, based on 334 user reviews.
Personal Insights
“Armageddon 2025” is another one of The Asylum’s films, featuring characters from their other movies, in what could be termed as an ‘appreciation of self.’ The concept is good, the way it has been executed has been criticized with respect to the low quality of special effects and even lesser relevance of the monsters. This film sounds like it should be the perfect fit for fans of B-movies, with all its cliches in full display.
Cultural Significance
This film stands out as The Asylum’s trademark in the entertainment industry which has a low production cost, making it a cult classic. Including elements used in their previous movies, ‘2025 Armageddon’ also comments on the Asylum’s role in B-grade film culture and the fascination with monsters.
